Supporting actor Nicolás Montoya

We wrote a blog several months earlier about Nicolás Montoya and his acting.  We´ll use this blog to bring us up to date on his career.  Like Javier Padilla, in addition to his role as the banker Miguel in Domino Montoya has been very active in his career as an actor in theater and television, and in addition, is studying scriptwriting at the film school in the University of Sevilla.

Nicolás Montoya with our cameraman in a scene from Domino.

As an actor, he has played the role of Pajarete in Tirso Calero´s popular series Bandolera, a production filmed in Madrid and aired over Antena 3, a private television station that broadcasts nationally to the entire country of Spain.

In addition, he has appeared in several movies, including two that are soon to be released.  One, called Libertador  (The Liberator), is directed by Alberto Arvelo of Venezuela.  It´s about Simon Bolivar, the revolutionary from Venezuela who liberated most of South America from Spanish rule.  The movie stars Edgar Ramírez and Maria Valverde.  It boasts a very international cast:  Ramirez is from Venezuela, Valverde from Spain, and in addition, Danny Houston (USA) Iwan Rheon (Great Britain) and Juana Acosta (Colombia) play leading roles. 

Montoya in a theater production.

In the scene shot in Jerez, there is a pitched battle between Bolivar´s forces and the Spanish army.  Bolivar wins.

Rain at mid-day stopped the filming but not before they apparently had shot enough footage.  I guess the moral here is that nature is more powerful than armies, but armies (and filmmakers) can be flexible enough so that in the long run, it might not matter.

The other movie in which Montoya recently acted is called El barco (The Boat).  In this one, he played the part of a medical doctor, a very appropriate role since in fact, apart from his acting, he actually IS a medical doctor.  This movie is directed by Juan de Artigas.  I´m sorry to say that I don´t know anything more about it.

Montoya as a Roman legionnaire in front of the Roman theater.

In addition to these two movies, Montoya has acted in live theater, playing the role of Don Ventura in a play created by the theater company Hesperides and presented by the Cultural Division of the City of Jerez to celebrate that city´s history.  His other recent theater role was as the Roman Legionnaire Marco.  This was another production created by the theater company Hesperides.  It was presented in the old Roman theater near Bolonia called Baelo Claudia, in which you will remember Esteban Viaña played the part of duumvir.

Montoya--a busy man, indeed.

OUR NEXT POST will be about supporting actor Salvador Valle, and the following one will be about where is Spain headed?

Supporting actor Esteban Viaña

Esteban Viaña plays Javier, the former boss in the shop where Luis worked.  Luis lost his job because Javier, a somewhat older man, decided it was time to retire and he closed the shop.  This was right before the economic crisis;  Javier explains to Luis he had no idea there was going to be a crisis.  He closed his shop at just the right time out of pure luck.

The scenes with Esteban are an important part of the story of Domino:  Caught in the Crisis.  They not only explain why Luis is out of work, but they show how people who are favored by fate -- close their shop just in time, have the money to run a shop to begin with, etcetera, can be insensitive to those around them who do NOT have such good fortune.

Esteban Viaña as the former boss, Javier.

 
Viaña lives in Jerez de la Frontera, and began his acting career at a young age, when he was in grammar school and there was an activity called "Oration and Recitation."  He loved it, and has been hooked on acting ever since.  He has acted in dramas, religious plays, and many other sorts of productions but his favorites have always been plays directed towards children, for which he usually takes a comic role.

Esteban Viaña, yours truly and Antonio de la Malena...checking out the script.

The highlights of his acting career to date include the husband of the lead character in a play by Federico Garcia Lorca called The Prodigious Shoemaker (La zapatera prodigiousa) which was first produced in various smaller venues but later, brought to the main theater in Jerez de la Frontera (a theater with several thousand seats).

He also had a supporting role in a play by the famous Spanish playwright, Alfonso Pasos and more recently, was featured in a production of On this Island, There Are No Cats (En esta isla no hay gatos) presented by the theater company Tras el Trapo.  Tras el Trapo, you may remember, is a theater company co-owned and operated by Javier Padilla, which provided Domino with a number of actors.

Esteban Viaña as Publius Cornelius.

And just this past month, Viaña joined Domino actor Nicolas Montoya in a special production in the old Roman theater at Baelo Claudia (near Bolonia, on the Atlantic coast).  The play was an original work, written to bring to life the history of the ancient city.  Titled The Nights of Isis (Las noches de Isis), he played the role of Publius Cornelius, one of the two Roman governors of the region at the time that the city was an important Roman port and manufacturing center for the luxury article garum (made out of salted, dried fish).

The old Roman theater at Baelo Claudia (with the seats covered up--don´t know why).

And just to be sure he doesn´t get bored, currently, in addition to acting, Viaña has taken up a couple of musical instruments:  the saxophone and the accordion.

OUR NEXT POST will be about supporting actor Javier Padilla.

Interview with our star, part 2

This is part two of our interview with Antonio de la Malena, star of Domino:

Eve A. Ma (EM):  What scene did you like best, from the point of view of your interpretation? 

Antonio de la Malena (Malena):  There´s one scene with which I particularly identify.  It´s the scene in which I´m tearing up the lottery ticket, and the image of my face at that moment is like a mirror of my own life. 

EM:  What did you like best about the direction?  What least? 

Malena:  What I liked best is the director´s discipline.  I really liked that.  What I liked least is that I feel she needs more assistance, more assistance to be able to properly realize all of her creative projects.   It made me unhappy seeing she lacked that.  

Malena with actor Esteban Viaña and crew.

EM:  In thinking about the film itself, what part did you like best?  Do you think it fairly reflects the current situation in Spain?  

Malena:  In general, I liked everything about the film.  There aren´t things that I like best, and others that I like less well--because it was all done with the heart, and the soul, and with real sympathy for what is happening right now in Spain. 

EM:  What scene did you like best, from the point of view of your interpretation? 

Malena:  There´s one scene with which I particularly identify.  It´s the scene in which I´m tearing up the lottery ticket, and the image of my face at that moment is like a mirror of my own life. 

Malena with actors Jose Luis Martinez and Santiago Moreno.

EM:  What did you like best about the direction?  What least? 

Malena:  What I liked best is the director´s discipline.  I really liked that.  What I liked least is that I feel she needs more assistance, more assistance to be able to properly realize all of her creative projects.   It made me unhappy seeing she lacked that.  

EM:  In thinking about the film itself, what part did you like best?  Do you think it fairly reflects the current situation in Spain?  

Malena:  In general, I liked everything about the film.  There aren´t things that I like best, and others that I like less well--because it was all done with the heart, and the soul, and with real sympathy for what is happening right now in Spain. 

De la Malena with crew, director, actor Nicolas Montoya and others.

EM:  I understand that you had to shave off your beard several times because the director decided to add more scenes and to re-shoot others.  Now that you are free to grow your beard, have you done so?

Malena:  Well, yes, but it didn´t bother me to keep cutting my hair and shaving off my beard because the scenes were good ones and besides, I figured I was going to be earning more money.  

OUR NEXT POST will be about one of the supporting actors, Esteban Viaña.

The actors

We used a wide variety of actors in Domino, from professionals who are appearing on prime-time TV to a ten year old girl with no experience acting and, to the best of my knowledge, no desire to become an actress.  Each one of them worked hard, each one presented different challenges for me, the director, and each one really did a good job.  Some, in fact, did an excellent job.

It was a great pleasure to work with Antonio de la Malena, our star.  He learned his roles, he took the time to "put himself into the character," and he never complained when I said, "Ok, that take was really good, now let´s do it again, just in case."

Antnio de la Malena, playing Luis, takes a break during the shooting.

I found it truly interesting that he put himself into his role...taking a few moments before each scene and usually before each take, to be in the correct emotional place.  The reason I found it so interesting is that he´d never acted before and certainly had never heard of Method Acting, or Stanislavsky.  On the other hand, flamenco singing (and he is a flamenco singer, a cantaor) requires exactly the same kind of emotional commitment, which is why I chose him to be the lead, in the first place.

Other actors I want to point out are Nicolas Montoya and Javier Padilla.  Both appeared in several scenes, both were very professional and very prepared, and both also helped me in other ways.  Nicolas Montoya (who is in the popular television program Bandoleras) found me an actor when I needed one, and also found the location for the bank scenes.

Nicolas Montoya plays Miguel the banker.

  Javier Padilla played two roles, one a small one but needing someone with good body control.  (He has a beard in that scene, a no beard in the other, so he looks like two different people.)  Javier also found at least three other actors for me.  Every time I called and said "I need someone of a certain age and capable of a certain type of role," he would find me that person...or rather, he´d give me several people for me to choose from.

This brings me back to our lead character.  Antonio de la Malena is, along with Javier Padilla, responsible for helping me with the casting.  He found more actors for me than I can count.  I haven´t been in Jerez long enough to "know everyone," and without him, and Javier Padilla (plus Nicolas Montoya), well, I don´t know if I´d have been able to produce Domino.

Other actors include Salvador Valle, Esteban Viaña, José María Martinez, Rosario Heredia and Luis de la Tota.  I enjoyed working with all of them.

Salvador Valle plays Salvador the neighbor, who offers Luis a few hours´ work.

 The last one I especially want to point out, however, is that 10 year old girl, Marta.  She is a bit shy, and certainly not used to memorizing lines, putting herself in character, or anything of the sort.  She was very willing, however, and like all the rest, she never complained (except once, and that was not a complaint but in the first shoot, she got exhausted and started crying.  We called it a day, and thought of ways to keep her from getting so worn out in future scenes.)

Marta, seen here with Antonio de la Malena, plays the daughter of Luis.

Domino is the first real narrative I´ve ever directed.  It has been a real learning experience.  One of the most pleasurable memories I´ll carry with me from it is these actors....  Thanks to you all.

OUR NEXT POST will be an interview with our lead actor, Antonio de la Malena.

The banker as speculator and villain

In addition to using Domino to put a human face onto the economic crisis, I´m using it to express my own personal ideas about some of the causes of the crisis and some of the economic problems I observe in Spain.  This has led me to create various scenes with bankers.

In brief, I think a lot of the cause of the crisis is economic speculation, especially by banks and others involved in financing real estate.  I also think the leaders of this speculation, and those who bear a lot of the responsibility for the crisis, are banks and other financial institutions in the United States.

Of course I know that this is not a terribly original idea, but ...

Ok, so how have I used Domino to illustrate some of this?

Well, there´s the scene we recently shot that I call "the banker Miguel in the bar."

Here we all are together.  The two "bankers" are wearing suits.

In this scene, we find banker Miguel (the banker that our hero goes to when he asks for a loan) in a café/bar, drinking a cup of coffee.  In comes an acquaintance, the banker Rodolfo.  (I have fun choosing names for all these people.)  Rodolfo works for a rival bank.  He points out to Miguel that Miguel´s bank is in all the newspapers today because their major project, a huge complex they were financing in the "southern sector," has collapsed.

And it seems that Rodolfo and his buddies had expected it to fail all along.  It was (says Rodolfo) massively over-capitalized, it was relying on a shady construction company, etc., etc..

I´m not going to tell you any more.  You´ll just have to watch Domino when it comes out.

Here is Nicolás Montoya (our "banker Miguel") playing a Roman sergeant.

But I will say that this scene ALSO helps explain why banker Miguel loses his temper in the bank in the subsequent scene when our hero, Luis, comes in to ask how his loan process is coming along.

Poor Luis.

And a note:  banker Miguel is played by Nicolás Montoya (who also has a role in the current popular television series, Bandoleras) while banker Rodolfo is played by Manuel Oteo Barranio.  The scene takes place in Peña Recreativa "el Toke" and thank you to José Carlos Ruiz Suarez for lending it to us as well as playing the part of the bartender.

Since we mention him here, I´ll also remind everyone that Luis is played by Antonio de la Malena.

OUR NEXT POST will be about shooting the final scenes.

New developements

I'm a little behind of this blog, because I hurt my back again. SORRY.

About a week ago I invited some people over to watch Domino, the Movie in its current form. Four actors showed up, two who play roles in Domino, and two who do not- a perfect group. And they liked it!

Of course they had some constructive comments to make. That's why I invited them -to get constructive comments.

We MIGHT film here.

Now we move to next stage. Domino, in its current form is a nice rounded . It lasts 44 minutes  and 2 seconds. BUT  TV Station in the US require 56 minutes and 40 seconds.

So I decided on two versions, one the way it is now, and one for TV.

SO we'll be filming some more scenes!  In one, we'll see the son Juan with his fiancé Ana.  They are in El Puerto (Puerto de Santa Maria) walking beside the river which empties into the Bay of Cadiz.  It's very pretty there, and they´re walking hand and hand and talking about the wedding. Yes, this is related to Luis' s financial problems.

But we WILL film here.

In another scene, we´ll see the banker Miguel talking about his and his bank´s recent financial ups and downs. This will explain his emotional reaction to Luis' request.

The man at the right (Nicolas Montoya) is the banker Miguel.

And there will be a couple at other really tiny scenes. We think you' ll like it.

OUR NEXT POST will be to thank the Bar Gitaneria.

Will be our thanks to the Bar Gitaneria.

The actors, part 2B--supporting actor Nicolas Montoya

This is a continuation of the interview with supporting actor Nicolas Montoya, who plays Miguel the banker in "Domino."

Interviewer (Eve A. Ma):  What are your favorite films?


Nicolas Montoya:  I really like the director Fass Binder and "las Cerezas en Flor" of Doris Dorrie, plus I like the films of Pedro Almodovar and a north American film whose name in Spanish is "la Miel."  I´m very fond of surrealist and narrative film.   [NOTE:  I was unable to identify the movie "la Miel." ED]


Interviewer:  What did you like best about the part you played in "Domino?"  


Nicolas Montoya: That my character embodied all of the coldness and off-putting responses that today´s society presents to a person, an individual, who is living through a difficult time both emotionally and in his family and personal life.  

Nicolas Montoya (right) playing the banker;  with our cameraman.

Interviewer:  What was the hardest part for you in your portrayal of your character?


Nicolas Montoya:  The scenes were simple and straightforwards.  But since I´m a friend of Antonio de la Malena who plays the lead role, it was hard for me to create a situation in which the two of us saw each other not as friends, but on my part as an unscrupulous banker who is willing to do great damage to the character of Luis (played by Antonio).  In addition, it was a little difficult for me to create the character of a banker who is cold and dry in his overly professional manner, and full of the falsehoods of this type of business. 

Interviewer:  What do you think of the script and the concept of "Domino?"   

Nicolas Montoya (in the suit) as the banker, with Antonio de la Malena (in the coat) as Luis.

Nicolas Montoya: The script gives a very realistic portrayal of what is happening now in Spain, in Andalucia.  The script-writing is technically very professional and the concept is good but I didn´t get a vision of the whole from the part I was given, since I was only given the scenes in which I had a part and not the entire script. 

[NOTE that the script writer didn't remember she'd only given him part of the script, and has subsequently sent him the entire thing.]


OUR NEXT BLOG will be about shooting in southern Spain.

The actors, part 2A-supporting actor Nicolas Montoya

Another of the "Domino" actors we interviewed is Nicolas Montoya.  He is the "heavy" in our short film--THE BANKER.  This means he's one of the most important of the supporting actors.  We'll start here with a summary of his career as an actor and in the next blog, proceed to the actual interview.  (ED)

Nicolas Montoya, a native of Spain, combines a fully professional acting career with his work as a medical doctor.  As an actor, he is a graduate of theater academies as well as institutions dedicated to acting on film.  His acting career began well before this formal training, nourished by his experiences as a child growing up surrounded by the flamenco world he encountered as the son of a Gypsy (Gitano) in a city known as the “cradle of flamenco.” 

With an actual Roman theater behind him, Nicolas Montoya plays the captain of the Legionnaires.

A veteran of more than 40 opera and musical productions, he began in film in the 1993 and added live theater in the late 1990s.  He has played both leading parts and supporting roles.  

His work for film and television includes the movie directed by Josefina Molina, "La Lola se va a los Puertos" ("Lola goes to the Ports"),  the docudrama "La Mano Negra" ("The Black Hand") in which he played a leading role, and several episodes of the comic television mini series "Curso de Andaluz."  He has also acted in theater productions of "Moulin Rouge" and "Mama, quiero ser artista" ("Mama, I want to be a performer").

Nicolas Montoya in one of the several movies he´s acted in.

 

Currently (2011) he is associated with the theater group Tras el Trapo in Jerez de la Frontera, Spain while continuing his roles in the opera of that city.  In addition, he is theater critic for the daily newspaper, Diario de Jerez, of Jerez de la Frontera.  He also has experience in stage direction, lighting, and other aspects of theater production.

OUR NEXT BLOG will continue and finish this interview with Nicolas Montoya.