Antonio de la Malena´s double CD is out: flamenco por derecho

Palomino Productions has had the privilege of producing a double CD of the flamenco cante (singing) of Antonio de la Malena.  I say "privilege" because he is a very fine singer, and the double CD is excellent.  It includes a full two hours of singing, with 16 tracks, 8 per CD.

(Antonio, as you will surely remember, is the star of Domino:  Caught in the Crisis.)

Cover of the double CD:  Antonio with his father.

It will be formally presented to the world in the famous annual flamenco festival in Jerez de la Frontera, Spain, on Saturday, Feb. 23, 2013...just a few weeks from now.

The presentation, as organized by Antonio, will be really fine.  In the fin de fiesta of the double CD, lots of family and friends joined him and they will all be in the discs' presentation.  From what I understand, there will be 14 people in all.

Of course, Antonio himself will sing.  I asked him what he was planning to sing, and he answered "Whatever I feel like at the time."

In addition, at least some and perhaps all of the others will sing at the very beginning, and in the fin de fiesta, so it´s going to be really lively.

Antonio de la Malena singing.

And Maria del Mar Moreno, the dancer with whom Antonio has collaborated most closely these past few years, will dance one number accompanied, of course, by Antonio.

The guitarists will be Malena Hijo and Santiago Moreno.  Other well-known performers who will participate include Luis de la Tota and el Bob.

If you are planning to attend the festival, you'll certainly not want to miss this performance.  It'll be in Sala la Compañía.  I believe it starts at 8pm but am not absolutely positive, so check the festival program.  Here´s a LINK to Flamencomania´s announcement of the event.

In the meantime, to enjoy a sample of Antonio de la Malena´s singing, go here:  www.AntonioMalenaCD-ENG.com.

OUR NEXT POST will be about why Domino is relevant to people in the US.

Interview with our star Antonio de la Malena, part 1

Now that we´ve finished shooting Domino, I decided to interview our lead actor, Antonio de la Malena, to see what he thought about the whole process and the movie itself.  I´d planned to put it all here but since it´s a bit too long, I´ll break it up into two posts.  Here´s the first half -- unedited, but translated from Spanish.

Eve Ma (EM);   Now that the filming is done, what did you like most about playing your part?  And what least? 

Antonio de la Malena (de la Malena):  What I liked most is that I´m trying to adjust myself to the task of being an actor and I think that with the help of the director, I am able to do it and will be able to do it again, should the opportunity arise.  It´s very difficult, it´s not easy, but I try to put myself into the mind-set of the protagonist so that in my interpretation, my emotions are real, and appropriate. 

De la Malena in the scene in the pawn shop.

EM:  Since this was the first time you acted in front of a camera, how does it differ from your normal role of performing on stage? 

de la Malena:   Usually, when I´m performing on stage,there aren´t cameras that are filming you first in a close-up and then in a long shot.  There aren´t any cameras close up, in front of your face, and you don´t have to repeat everything so many times.

EM:  Did you feel well prepared to act before you started out?  Do you feel well prepared now, if you´re asked to do it again? 

de la Malena:   The truth is that you´re never really prepared.  It´s a kind of work that makes you feel embarrassed and is nerve-wracking when there are a lot of people around and you need to play the part of someone else, but the more you do it, the less stage-fright you get.  It´s one of those things that you have to get used to, little by little.  

De la Malena in the scene where he talks on the phone to his wife.

EM:   Did you feel any personal affinity with the character you played in Domino?  Why, or why not? 

de la Malena:  Yes, I put myself in the position of my character and there were moments in which it seemed so natural that I thought the character was actually my real self.

EM:  How did you feel, working with the other actors?

de la Malena:  It was a very nice experience, and I saw that everyone was learning from it. 

OUR NEXT POST with be the second half of this interview.

Antonio de la Malena´s double disc of flamenco cante

The star of Domino is, by original profession, a flamenco cantaor/singer.  He has been singing professionally since he was nine years old, in public and private events in Jerez de la Frontera and making his television debut in Niños Cantaores (part of Rito y Geografía del Cante).  Yes, he was only 9 years old.

And although he has several CDs to his name (flamenco semi-fusion), plus is on lots of flamenco CDs which include several singers, he has never had a true flamenco CD of his own.

Well, we decided to change that.  We decided to change that because he is a very, very fine singer.  In addition, many people only know of his talents as a singer who provides the cante for dancers, and aren´t aware of the fact that he´s a great soloist as well.

The CD cover:  Antonio de la Malena with his father, el Morao.

When we started recording several months ago, the idea was to produce a CD with 10 cantes (flamenco songs).  The word on the street is that anything less than 10 tracks is not taken seriously.  But when Antonio sings, he keeps on singing.  The result is that some tracks were more than 10 minutes long, and the bottom line is that there was no way to put 10 tracks onto one CD.  You simply couldn´t fit them all in.

As a result, we recorded some more and are coming out with a double CD--two CDs in one package.  There are a total of 16 cantes in this package, 8 on each CD.  The title of the album is Para ti mi cante, que es mi libertad.  (I give my song to you, my song which is my freedom.)

The album is currently being manufactured, and when that process plus some legal details have been taken care of, we´ll have the album in our hands.  We´re talking about one week or so.  We´re hoping to release it at an event in southern France on June 30.  We don´t know if we can make this deadline or not, but we´re trying.

One way or another, if you live in Europe, once it is actually available, you will be able to purchase it on-line at the web site http://AntoniodelaMalenaCD.com.

Antonio de la Malena--photo:  Martin Guerrero y Casa Patas

  We´ll release it in the U.S. later, when we have solved a couple of other legal problems plus acquired enough money to pay for production in the U.S..

For flamenco buffs, the album starts with a trilla plus estribillo, the estribillo being something that Antonio wrote (both the music and the lyrics).  Other tracks include 3 seguiriyas, a soleá, a soleá por bulerías, a bulerías a golpe, a regular bulerías, a fin de fiesta, an alegrías, etc., etc..  Very compete.

Guitarists are Manuel Parilla, Domingo Rubichi, Malena Hijo and Santiago Moreno.

Antonio´s brother Manuel de Malena joins Antonio in the tarantos, with each of them singing a section.  And in the fin de fiesta plus the estribillos, other singers join in, such as David Carpio, el Nono del Periquin, etc.

I promise you, if you like flamenco, you´ll love this.  If you don´t know anything about flamenco, you still might well like it.  Antonio has a great voice, great pitch, and puts lots of emotion into his singing.

The official producer of the album is Palomino Productions.  Co-producers are Jerez Puro and el Rincón Andaluz.  We also have a partially completed, very simple web site for the album at http://AntoniodelaMalenaCDs,blogspot.com.

OUR NEXT POST will be about adding Domino´s last scenes, and the background music--end of a long road.

Thanks to Flamenco Peña Chacón

We owe a big thank you to flamenco Peña Chacón.  We filmed there five times, three of those times for several hours.  The peña has been very nice to us, and we are very appreciative.  A lot of the great reception the peña gave us is due to Ali de la Tota, a palmero (flamenco percussionist) who is in charge of day-to-day operations.

Thanks, Ali.

Ali de la Tota.  He also plays a part in the film.

 In addition, we wouldn´t have been able to use the peña without the agreement of its president, Julian Azcutia.  Thanks to him, as well.

A flamenco peña is a flamenco club.  Peña Chacón is named after the flamenco cantaor (now deceased), Don Antonio Chacón.  There are about a dozen flamenco peñas in Jerez de la Frontera, including six or so in or near the city center.  Peña Chacón is one of those in the center, in the historic district.

The flamenco  peñas, as you might guess, are composed of people interested in preserving flamenco, and enjoying flamenco.  Normally, each peña selects a month, or a period of 4 weeks, in which to present flamenco performances.  These are free and open to the public.

Peña Chacón has a great collection on its walls of photos of flamencos.

Peña Chacón´s main period is May-June, and although it focuses on the cante (flamenco singing), it also presents some dance performances.   This year, however, due to the economic crisis, it was unable to present any performances.  The peña has only about 50 members, and there simply wasn´t enough money to pay for performers.

In the past, in addition to the May-June series, the peña used to present young artists it thought had promise.  These performances were scheduled for February, but again, the peña has been unable to hold these events for the past several years.

This is the stage, with a photo of Don Antonio Chacón on the wall.

It does, however, still present zambomba (flamenco Christmas celebrations, with people singing Christmas songs to a bulerias rhythm, and occasionally, dancing as well).  Hopefully, when the crisis ends, it will again be able to present its other performances.

I asked Ali de la Tota what characterizes the peña, and he said the respect that the members give to the cante (flamenco singing). They listen well.

Here we are, shooting a scene.

Three footnotes:  the peña is named after cantaor (flamenco singer) Don Antonio Chacon.  It has been in its present location (near calle Francos and the Fundación of flamenco) for about 20 years.  Formerly, it was in a building in calle Carmen.  And Ali has been working there for the past 15 years.

OUR NEXT POST will be about the banker as speculator and villain..

Antonio de la Malena's upcoming CD

You might well be interested in learning that our star, Antonio de la Malena, is about to come out with a CD of flamenco cante (singing).  It's title will be Para ti mi cante, que es mi libertad (My song is for you, my song is my freedom.)  Palomino Productions is producing it jointly with a Spanish company, Jerez Puro, a flamenco performance company that tours all over the world and that also has dance academies all over the world.

Antonio de la Malena, a singer known the world over.  He has toured throughout Europe, Asia, and North America.  He has sung in Egypt.  He has been to almost every place where flamenco is loved.  This will be his first, purely flamenco CD.  He has two other CDs to his name, but they are not flamenco cante.

Antonio de la Malena.  (photo:  Martin Guerrero and Casa Patas)

We recorded this back in October, before I left for California, and planned to have it out in February.

Ah, the best laid plans of mice and men.

Turns out Antonio sang a bit too much.  First of all, he recorded another 5 cantes while I was in California.  Next, when he starts singing, he sings, and sings, and sings...and some of the cantes are over 10 minutes long.

Since it's important (says everyone who "knows") that a CD have 10 tracks on it, well, multiply 10 by 10 and you get a lot more minutes than any standard CD is going to hold.

el Bob (palmero), Antonio de la Malena, Manuel Parilla (guitarist), etc.

So we trimmed and trimmed, and cut and cut, and even with only 9 tracks it was STILL too long.  Plus some of what we cut was very dear to Antonio's heart, leaving him feeling like the prospective CD would not be what he wanted.

Solution?  Well, at the present time, we've just about decided to put two CDs into one package.  This has led Antonio to decide that he needs to record some more.  I have told him he MUST NOT go over the now 2-CD limit this time.

Bottom line, since he leaves town tomorrow for France and then Italy, is that we THINK we'll get this finished by the end of spring.  One way or another, I promise it's going to be good.  So hold onto your hats.

Bulerias fin de fiesta.  Right, standing=Antonio de la Malena

The final number on the set of two CDs will be the traditional "fin de fiesta" (ending party) bulerias.  For this, Antonio invited not only his older brother, the cantaor Manuel de Malena, and another six or seven people to join in.  They each take turns singing, with Antonio singing first and also ending the session.  There is no guitar accompaniment.  It's performed as if they were, indeed, all at a party together and simply enjoying themselves.

And again, you'll find it at www.AntonioMalenaCD-ENG.com, or if you're in Europe, at www.AntonioMalenaCD.com.

OUR NEXT POST will be about scoping out "el Puerto" (Puerto de Santa Maria).

Shooting for sound

In mid-July, we recorded some of the background music for "Domino," the short independent film I´m working on in Jerez de la Frontera.  We have several scenes in bars, which is an ideal place to introduce background music...and the bar scenes are for the most part followed by street scenes, an ideal place to continue the background music.

Since some of you have never been inside a recording studio, it occurred to me that you might be interested in what it's like to do a recording.

--NOTE:  "Domino´s" YouTube trailers are on LINK

What we recorded was based on the voice of our lead actor, Antonio de la Malena, who is also a well-known flamenco cantaor (singer).  We recorded two numbers, one a purely flamenco one (a tarantos, for readers who are knowledgeable in flamenco) and the other a somewhat modernized number (granainos por buleria).

Antonio de la Malena and Luis de la Tota in front of the sound studio.

The first, the tarantos, went very rapidly.  There was only the singer and the guitarist, a father-son team who have worked together for years.  (The father is, of course, Antonio de la Malena.  The son is Malena Hijo.  Both tour internationally.)  First, the two of them ran through the number in order to warm up.  The sound tech recorded it, I'm happy to say, since the first part was great.  The second half was fine but there was a change that didn't go well...but this was ok, since they were just warming up.

Next, they went through it "for real," and it came out beautifully.  End of recording.

The second number, the granaina por bulerias (ending in a minera as a macho), included not only voice and guitar, but also percussion--palmas (rhythmic hand clapping), cajón (that wooden box you used to only see used in Latin American music, but is now used world wide) and something called a tinaja (a ceramic jug turned into a musical instrument by adding sound holes and the like).

Inside the sound studio.  My camera doesn´t give good flash photos.  Oh, well.

 I´ll mentioned here that the palmeros were Luis de la Tota, Ali de la Tota, and Alex de Moneo.  The cajonista and tinajista was Alex de Moneo.  The first two (the de la Totas) are very well known.  Alex is a young fellow, more at the beginning of his career.

Well.  I´ve very little experience in recording sessions and had no idea why they usually take so long.  Now I know.  The voice and guitar were recorded together, and the singer was done.  But then the percussionists--in groups, first the palmeros, then the cajón, then the tinaja--were given ear phones and told to do their part.  The palmas turned out to be particularly tricky and had to be repeated many, many times.  It was a question of getting three people to clap out the rhythm at EXACTLY the same moment in a musical number with a pretty complex rhythm, being sung freely.

After a little over four hours, we had our six minutes of music recorded, put onto a CD, and handed over to me.  I found the experience very interesting.  Being musically inclined, I also enjoyed listening and watching and yes, getting things just right is NOT easy.

Ali de la Tota, with Luis´ girlfriend in the foreground and Antonio de la Malena in the background.

OUR NEXT BLOG will be about Spanish Gypsies (Gitanos).

Some thanks are due here--part 1

We filmed in some great locations, due to the kindness of their owners and others.  This is a good place to thank some of them.

Three of the places where we filmed were Peña Chacón, Bar Gitanería and Bar el Porrón, all in Jerez de la Frontera.  Peña Chacón is one of the flamenco peñas--flamenco clubs--in the city.  It´s located near the center of the historic district.  The flamenco peñas do a great deal to help maintain flamenco and especially the cante, organizing performances throughout the year that are free and open to the public-

The Peña is names after a cantaor of the last century, Antonio Chacón.

Bar Gitanería is located in the formerly almost exclusively gitano (Gypsy) district of Santiago.  Santiago is still predominately gitano, and as for Bar Gitanería, not only is Mateo Solea, its owner, a gitano, but by its name, as you may have guessed, it celebrates and especially welcomes gitanos.

Mateo Solea in his bar.  Did I mention that he also sings?

Bar el Porrón is located in the heart of the other historically gitano district of San Miguel, also called la Plazuela.  This district, like Santiago, is still predominantly gitano.  Its owner Luis el Porronista is NOT gitano but his wife is (so there).

Ceiling of Bar el Porron--herbs, a large gourd, garlic...

All three of these have great decorations, each expressing the character of the owners or, in the case of the peña, of the members of that club.  All three were most generous with their space and we really appreciate them.

OUR NEXT BLOG will be about actor Nicolas Montoya.

The actors, part 1A--our hero, lead actor Antonio de la Malena

I recently interviewed Antonio de la Malena in  his home town of Jerez de la Frontera (Spain).  He's the actor who plays the lead character, Luis, in our short independent film, "Domino:  caught in the crisis."  Here, translated from Spanish, is his answer to the first of five questions.  The other four will be in the next blog.  NOTE:  I've put some additional information inside of brackets [  ].

Eve Ma:  Give us a brief outline of your professional career.

Antonio de la Malena:  I'm a cantaor.  [Usually cantaor is translated as "flamenco singer," but Antonio de la Malena doesn't like the word "flamenco:"  it's a long story to explain why.]  I don't sing what is called "flamenco."  Instead, I sing the traditional songs of Andalucia, which is in southern Spain.  I've sung for many ["flamenco"] dancers and now I have the luxury of being able to sing for a dancer who allows me to feel the true art and essence of this dance form.  Her name is Maria del Mar Moreno.

I've also sung many solo recitals.  I've taken my singing to many different countries throughout the world where people are interested in listening to and feeling the pure and essential form of my art, of my native land.

Antonio de la Malena.  photo:  Martin Guerrero-Casa Patas

My career began when I was 10 years old and sang for a famous television production, made by TVE [Televisión Española].  It was recorded in one of the "patio de vecinos," [These were the old-style buildings in which many families lived, each in their tiny apartment, and shared a common patio].  The production is called "Rito y Geografía del Cante."  I am in the part called "Niños Cantaores" ["Child Professionals"].

Currently, I am continuing my artistic career in the performance company, Jerez Puro.

Singing in an event in Jerez de la Frontera in 2010.

Our NEXT BLOG will present the remainder of this interview.  (The actors, part 1B).