I had intended this to be a post about the background music, but the young composer just became a father and his mind is elsewhere. Before the baby was born, he had nearly completed the music, so I'll give him a couple of weeks, then ask him to give it to me.
In the meantime, to bring
Domino up to the length required by major U.S. television channels (PBS and such), I wrote two more scenes, one of which we have shot and I'm in the middle of editing. Film-making being what it is, we shot that scene twice. The first time, one of the technicians made an error serious enough that we had to throw the whole thing out. But the second time, it turned out alright.
|
Luis (Antonio de la Malena) with Marta (played by Marta). |
This is a scene in which we see Luis the father in his home with two of his kids: the youngest and the oldest. We learn that everyone in the family is thinking about the upcoming wedding. We learn that the eldest son is trying to get work but he can't, either. And we learn that Luis has nice kids--kids he would certainly want to protect.
As we know, however, he may not be able to protect them. And that is the crux of our story.
|
Marta, her dad, and two crew members. |
The final scene, which we had hoped to film this weekend but could not because our star had to go off to Milan (Italy) to sing, is one in which we will see how some people are perfectly willing to take advantage of those in trouble. We will also see something that I find shocking: in Spain, when you lose your home because you can't pay your mortgage (something that is happening more and more these days), not only do you become homeless but in addition, you still are legally required to repay that loan.
This means that the banks make out like bandits. They get your home and, if you ever find work again, they get your money. Your wages are garnished.
|
Ah, our wonderful director, yours truly (Eve A. Ma). |
And there you have it for today.
THE NEXT POST will be about the completed and soon-to-be-released double CD of flamenco
cante (singing) of Antonio de la Malena.
No comments:
Post a Comment