To be sure the audience won´t recognize him in his two contrasting roles, in addition to very different costuming, in one scene he has a bushy beard and in the other, he does not. A real beard. We shot the drunk scene first, then he shaved off the beard (not just for us, but it still served our purposes well), and afterwards, we shot the other scene with him as Manolo.
Javier Padilla as the friend, Manolo, in his shop. Oops! caught him with his mouth open! |
We have written about Javier in earlier blogs but wanted to use this space to "catch up" with what he´s been doing lately.
Well, he´s been doing quite a lot.
This past summer, Tras el Trapo presented the opening of his semi-surrealistic, satirical work, Pepa or Josefa: when Fernando VII wore an overcoat (¿Pepa o Josefa?...cuando Fernando VII usaba paletó). It has played in numerous venues ever since.
Playbill from Pepa o Josefa. |
The play deals with a chaotic period in Spain´s history, the XIX century when the country experienced war, revolution, invasion, frequent changes of government, and warring world views characterized by a tug-of-war between monarchists and Renaissance liberalism. This is the period in which Napoleon conquered Spain but was later thrown out, in which the Inquisition was first disavowed then reinstated, in which kings fled the country or ruled as puppets or were restored to autocratic power....
Pepa and Josefa are two contrasting female characters, one an aristocrat loyal to the Spanish king and the other, her pragmatic servant. The entire play is carried by only these two characters, played respectively by María Duarte and Ana Oliva. Javier Padilla, in addition to being the author, also directed it.
Then, even more recently, he along with other members of the theater company have been presenting something they call the Jaramago´s Blues Band to audiences in several towns and cities in Andalucia, in southern Spain. This is a light, comic work that makes use of Padilla´s talents as both an actor and musician.
Jaramago Blues Band. |
All this sounds wonderful, but I need to add a short note here, and that is, that I have learned from many people in the performing arts that it is really important that tours and performances such as these be properly publicized and properly scheduled. No publicity means no audience. I mention this because especially in the case of tours organized by government entities, inadequate publicity is often a problem. Then it look like the public doesn't support the arts (so we can cut THAT out of the budget, right?) when really, it's a question of the organizers not having done their jobs.
On stage, on tour. |
And the best part of it is...that he´s even getting paid (as opposed to some tours in which the actors are promised a fee by a government organ but then the money isn´t forthcoming).
Relaxing before the show (l to r): Ismael Colón, María Duarte and Javier Padilla. |
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